BOB STOLOFF PDF

Blues Scatitudes is an exploration of rhythmic and melodic vocal improvisation skills using the bar blues form as a harmonic vehicle for pentatonic and blues scale-based patterns. There are 51 fully orchestrated sing-along tracks that exemplify both even and swing styles. Each Scatitude has a male and female lead vocal version, two stylistic interpretations and one variation with instrumental lead to practice inventing your own syllables. The final version of each Scatitude has no melody or improvisation so that you may practice creating your own solos over the entire harmonic form. An extra bonus is the inclusion of time considerations all musicians should know about including half-time, double-time, stop-time, 2-beat, walking and shuffle feels. The singers on the CD sound great, the exercises are fun and challenging and the product makes both teaching and learning blues a pleasure.

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Blues Scatitudes is an exploration of rhythmic and melodic vocal improvisation skills using the bar blues form as a harmonic vehicle for pentatonic and blues scale-based patterns. There are 51 fully orchestrated sing-along tracks that exemplify both even and swing styles. Each Scatitude has a male and female lead vocal version, two stylistic interpretations and one variation with instrumental lead to practice inventing your own syllables.

The final version of each Scatitude has no melody or improvisation so that you may practice creating your own solos over the entire harmonic form. An extra bonus is the inclusion of time considerations all musicians should know about including half-time, double-time, stop-time, 2-beat, walking and shuffle feels. The singers on the CD sound great, the exercises are fun and challenging and the product makes both teaching and learning blues a pleasure. This book focuses on blues but, interestingly, with a wonderful variation of grooves.

The etudes are accessible and presented by both male and female vocalists. Both singers, however, are excellent with respect to feel and pitch-accuracy. Highly recommended! Each song begins with a vocalist singing a scat melody, then the vocal track is removed but the melody is played instrumentally, and then finally the basic musical track is played without a reference scat melody so that the learner can improvise his or her own.

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Bob Stoloff

Giulia Lorenzoni marked it as to-read Jul 28, February Learn how and when to remove this template message. This interactive presentation will highlight the linguistic characteristics of traditional bpb contemporary scat singing. Want to Read saving…. Oktober, 14h00 bis 16h00 This stoooff presentation will highlight the linguistic characteristics of traditional and contemporary scat singing. By using this site, you agree to the Terms of Use and Privacy Policy. Looking for someone to answer your questions?

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Bob Stoloff: Scat!

Bob Stoloff: Scat! When I learn the history and experiences that shaped my favorite artists and teachers, I gain knowledge for my own artistry and teaching. Bob Stoloff is at the top of my list as a vocal improvisation teacher. He also possesses a warm personality and great sense of humor. Bob recently made New York City his permanent address and has released a new book titled, Vocal Improvisation. He is an internationally recognized adjudicator, clinician, and jazz choir consultant.

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